Recorded in many places: Leaving Records HQ in LA, the telegraph house in Oakland, Drones Club in Montreal, Ariel's house in LA, the Brown residence in Berkeley, Mac Demarco's house by the water in NY, the Glen cabin of Vancouver, the Copycat in Baltimore, Danny James's place in Oakland, Natalie's house in NY and more. Song: Another One Album: Another One Artist: Mac DeMarco / Capo 4th Fret / chords during intro/riff are same as verse chords: C/Am/Bm/Em/Bb///Bm/Em/ / e - BACK TO SCHOOL OFFER: 80 OFF ON ANNUAL MEMBERSHIP OF ULTIMATE GUITAR PRO Try Now. Album:Another One Artist: Mac Demarco 0:00 - the way you’d love her 3:02 - another one6:09 - no other heart 9:28 - just to put me down 13:21 - a heart like h. Mixed, edited and approved by Shags Chamberlain in Highland Park, Los Angeles. Jackson Mcintosh: vocals, guitar and bass on track 2īaasil Bluntstone: vocals on track 5, whistling on track 2 Joseph Mcmurrary: drums on tracks 3, 4, 7Īriel Pink: vocals on track 4, bass on tracks 3, 4 Coley Brown/Courtesy of the artist 'It's all love songs this time,' says Mac DeMarco when we connect over Skype (cell reception at.
creditsĪll songs written by Michael Collins except "Easy To Forget" (co-written with Ariel Pink and Alexander Brettin), "Suddenly" (co-written with Natalie Mering), "The End of Comedy" (co-written with Charles Free) and "Theme For Alessandro" (co-written with Benjamin Brown.)īenjamin Brown: guitar on tracks 3,6, 7, 9 Twin Sister and pals from Mac DeMarco’s band.Īll of these collaborators contribute essential bits and pieces that create the foundations of a beautiful, absurdist collection of songs that plays like a short lm in which Collins journeys far and wide, popping in to various abodes, embracing friends old and new and casting a spell on them and us in turn. There are guest vocals from Ariel Pink (”Easy to Forget”), Danny James (“My Life)” and Natalie Mering of Weyes Blood, who brings Laurel Canyon balladry to the table on “Fictional Pictures.” Not to mention a bona de who’s who of Collins’ mates, including members of Regal Degal, Holy Shit!, Mild High Club, Mr.
Releasing his debut record Rock N’ Roll Night Club in 2012, Demarco’s unconditionally carefree tunes are only part of the reason for his ravenous fan base. Guitars provide a warm, wobbly shimmer whilst Lynch’s soothing vocal holds everything together in one neatly wrapped musical gift to the ears. If I were to list some of Mac Demarco’s exploits (outside of his three fantastic LP’s) you might think I was talking about one of the members of Odd Future. Throughout the record, Collins eschews the spotlight in favour of letting the ensemble shine. A fantastically catchy piece of polished dreamy indie pop. The End of Comedy is a collection of vignettes - lucid, lysergic and organic - featuring homespun explorations of Carol King-esque piano ballads, Bacharach-ian orchestration, the psych-folk of Ultimate Spinach and Hendrickson Road House and even New York City subway jazz, all pulled together by Collins’s deft AOR auteurship and keen sense of humour. The End of Comedy is the debut album by Drugdealer, a new project conceived and conducted by Los Angeles artist Michael Collins (formerly of Run DMT, Salvia Plath) who guides a group of Angelenos through a whimsical world informed by Jean Baudrillard, social media perception, Sergio Leone’s spaghetti western vistas and Collins’ endless travels.
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